| 000 | 01745nam a2200301 i 4500 | ||
|---|---|---|---|
| 001 | 229039 | ||
| 003 | ES-MaBCM | ||
| 005 | 20250219140806.0 | ||
| 008 | 241217s2024 uk ||||| |||| 00| 0 eng d | ||
| 020 | _a978-1-009-41868-3 | ||
| 035 | _a(OCoLC)1499512641 | ||
| 040 | _cES-MaBCM | ||
| 100 | 1 |
_aKollmann, Nancy S. _9130143 |
|
| 245 | 1 | 0 |
_aVisualizing Russia in early modern Europe _cNancy S. Kollmann |
| 250 | _a1ª ed. | ||
| 260 |
_aCambridge : _bCambridge University Press , _c2024 |
||
| 300 |
_axvi, 321 p. _b : il. map _c ; 24 cm |
||
| 500 | _aÍndices | ||
| 500 | _aIncluye referencias biblográficas | ||
| 520 | _aIn early modern Europe, the emergence and development of print culture proved a powerful new method for producing and disseminating knowledge of Russia through visual means. By examining the images of Russia found in travel accounts, pamphlets, maps and costume books, this study demonstrates how the visual shaped a dual understanding of these lands: Russia and Russians were portrayed as familiar, but the steppe and forest frontiers were seen as forbidding and exotic. As these images were reproduced and plagiarized in new formats, so too were their meanings - the idea of Russia was one which constantly shifted across genres, usages, and audiences. Nancy Kollmann examines the techniques harnessed by artists and publishers to suggest the authenticity of their publications, and explores in turn how these complex depictions of Russia contributed to Europeans' understanding of themselves. | ||
| 648 | 0 |
_aS.XV-S.XVIII _9128852 |
|
| 650 | 7 |
_aCultura popular _991002 |
|
| 650 | 7 |
_aIlustración gráfica _958828 |
|
| 651 | 4 |
_aRusia _9115522 |
|
| 651 | 4 |
_aEuropa _9115402 |
|
| 942 |
_cBK _2udc |
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| 999 |
_c229039 _d229039 |
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