000			01805nam a22002057a 4500
008			230213t2022 sp |||||s|||| 00| 0 eng d
040			_cES-MaBCM
245	1	0	_aThe Islamic State and Cultural Heritage _b: a two-track weaponization _cMaría Gómez Landaburu _h[Recurso electrónico]
260			_aMadrid _b : CEU Ediciones _c , 2022
300			_a57 p.
490	0		_aDocumento de trabajo ; Serie, Unión Europea y relaciones internacionales _v129/2022
504			_aBibliografía: p. 41-44
520			_aThe systematic campaigns of destruction of culturally renowned sites perpetrated by the Islamic State have been a fundamental component of the terrorist group’s visual imagery, but also of its political and sociological agenda, because in addition to the enormous diffusion that such acts have had in the media and social networks as part of a skillful propaganda campaign, the disappearance of sacred sites linked to the different minorities that inhabited the territories of the caliphate greatly eroded the socio-religious fabric and seriously compromised the intra community ties that had persisted in Syria and Iraq for centuries. The different approaches to this phenomenon of cultural obliteration to date have been based both on interpretations according to a radical iconoclasm of jihadist inspiration, accompanied by an economic interest on account of the illicit trafficking of antiquities, and on an attempt to eradicate the ethnic and religious diversity of the areas under their control.
610	2	0	_9120782 _aEstado Islámico
650		7	_aPatrimonio cultural _2
650		7	_aProtección del patrimonio _2
856			_uhttps://mpr.bage.es/cgi-bin/koha/opac-retrieve-file.pl?id=64a5bc1826f823f7dc8c18fc139bea0a _yDESCARGAR DOCUMENTO
942			_cLE
999			_c223895 _d223895